24小时惊魂记 24 Hour Psycho

特写镜头是环境时会更感觉

戈登的这部电影将希区柯克的电影内容作为旧片重制。他主要运用的手是通过技术和制度性移位降低影片的放映速度降低到每秒2帧。让观影者感受到一种奇异的停滞感，并且能够in to play。其时代背景主要是随着Vcr的兴起，时间被快速的转移，而戈登就是在反对德勒滋的影像模型，唤起观众的参与感，刺激大脑的认知与对大脑的认知之间的关系。每一位演员的神情都非常的传神，尤其是住在旅馆的主人公，动作神态，极力的表现出一位分裂的人格。这是一部伟大的作品，也是苏格兰电影制作家戈登第一次登上国际化的舞台。情节紧凑引人入胜，佳作推荐。

电影时长概念The represented time of Psycho(the time of narrative)is overtaken by the time of the apparatus and the time of reception.The temporalities come into tension with one another,as the regimented slow motion ecinces a patient regularity that contrasts with the contingent meandering the viewer around the room

只看了一部分，把Murder变成Meditation，很重要的作品。

慢放（Tutorial时Edwina推荐） "While we can experience narrative elements in it (largely through familiarity with the original), the crushing slowness of their unfolding constantly undercuts our expectations, even as it ratchets up the idea of suspense to a level approaching absurdity."