“A chain is as strong as its weakest link – a film is as good as its poorest splice.”
Denison demonstrates the perils of improper film repair using prints from recent Paramount releases, two of which can be identified: The Cheat (dir. George Fitzmaurice) and The Marriage Maker (dir. William C. de Mille), both released in 1923 and both now believed lost. He also uses the opportu...
Sprockets and Splices. A Little Journey to the Source of Film Damage and Poor Presentation
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